Sound services PA hire logo

Your browser does not support flash or you currently have this technology disabled. Your browser does not support flash or you currently have this technology disabled. Your browser does not support flash or you currently have this technology disabled. Your browser does not support flash or you currently have this technology disabled. Your browser does not support flash or you currently have this technology disabled. Your browser does not support flash or you currently have this technology disabled. Your browser does not support flash or you currently have this technology disabled. Your browser does not support flash or you currently have this technology disabled.

Office: 01322 66 77 09 / 01322 66 89 42 Fax: 0208 196 2387- Unit 4c Button St Business Park, Swanley Village, Kent BR88DX hire@sound-services.co.uk

VAT REG NO: 888 5926 44

 

Microphone hire.

Please click here for radio mic hire

Below are a list of microphones we have available to hire. If you are unsure of the what the best mic may be for your situation, then please contact us for advice.

 

Picture of mic

 

About

 

Price to hire per day

SHURE SM58

Vocal microphone

The SM58 is a legendary industry standard unidirectional (cardiod) dynamic microphone. Consistently the first choice of performers around the globe. For use in live performance, studio recording, speech, the list goes on. Very rugged construction.

Type: Dynamic microphone

Frequency response 50HZ to 15,000HZ.

Polar pattern: Unidirectional (cardiod)

5.00

SHURE BETA 58
10.00

SHURE SM57

Instrument microphone

Dynamic microphone, similar to the SM58, but the SM57 is generally used for instrument mic'ing, especially snare and guitar, can also be used as a vocal mic.

SM57

Type: Dynamic microphone

Frequency response 40 HZ to 15,000HZ

Polar pattern:Unidirectional(cardiod)

5.00

SHURE BETA 57
10.00
SHURE BETA 87
20.00

AKG D112

Instrument microphone

The D112 is mainly used for kick drum, but also can be used on bass guitar cabinets and trombones, tubas etc. Handles up to 160 db SPL with no audible distortion. Has a narrow band presence rise at 4KHZ, so no extra eq need be added to lift the sound of the beater when mic'ing up a kick drum. D112

Type: Dynamic microphone

Frequency response:20HZ to17KHZ

Polar pattern:Cardiod

10.00

SHURE BETA 52
15.00
SHURE SM81
20.00

AKG C414 B-XLS

A reference-quality microphone especially used for accurate, beautifully-detailed pickup of any acoustic instrument. With the introduction of the Next Generation C 414 B-XL models, AKG sets new benchmarks for useful features, improved technical specifications, ease of use and available accessories. All of these improvements are answers to requests from ever-demanding recording studios, broadcast stations and concert engineers, but with the basic sonic character of the legendary C 414 unaltered.

 

High sound pressure level capability and wide dynamic range Completely immune to electrostatic and electromagnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage
Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication

35.00

AKG C1000

Ambient mic

Condenser microphone(battery powered or phantom)

AKG C1000

Type: Condenser microphone

Frequency response:50HZ to 20KHZ

Polar pattern:Cardiod,or hypercardiod with plastic PPC 1000

10.00

AKG C-419


For hardwire applications, with standard XLR connector for phantom powering.
Microphone for wind instruments and toms.
Miniature gooseneck for accurate microphone alignment.
Transducer shock mount reduces handling and cable noise

The AKG C 419PP is response tailored for use with both brass, woodwind and toms. The gentle low frequency roll-off compensates for proximity effect and the high frequency boost adds presence and clarity. Its hypercardioid polar pattern gives the C 419 additional isolation from floor monitors and other instruments.
The microphone is small, light weight, and can be easily clipped to the bell of an instrument, or a rim of a drum. The flexible gooseneck allows for precise capsule placement, while the rubber-tipped clamp ensures secure mounting and protects the instrument from damage. The C 419 features a 10 ft. (3 meter) cable terminated with an XLR-M connector. It accepts phantom voltages over the range of 9 to 52 volts.

Transducer type: Condenser pressure gradient
Frequency response: 20 Hz - 20 kHz
Polar pattern: Hypercardioid
Impedance: 200 ohms
Output connector: XLR, mini XLR (C419/L)

 

10.00

SENNHEISER EW 135 Handheld System
30.00

SENNHEISER EW335 Handheld System

35.00

 

SENNHEISER EW 312 Lapel System

This system is ideal for theatre and presentation use. The ME 2 clip-on microphone is virtually invisible. The extremely small SK 300 G2 bodypack transmitter and the EM 300 G2 rack-mount receiver feature nine frequency banks with eight directly accessible presets each – ready for immediate use. 1440 tunable UHF frequencies for interference-free reception.
Absolutely reliable transmission and extended range due to high RF output power.
High-quality true diversity reception
Pilot tone squelch for eliminating RF interference when transmitter is turned off
Automatic frequency scan feature searches for available frequencies
Transmitter and receiver with rugged metal housings

Receiver features user-friendly menu operation via two-colour backlit graphics display (green = OK; red = warning)
Lock function avoids accidental changing of settings
HDX compander for crystal-clear sound

35.00

SENNHEISER Headset system

Same specifications as above, only with headset microphone instead

35.00

SENNHEISER E-604

Instrument mic

Clip on dynamic microphone, works exceptionally well on toms, but can be used on brass and woodwind. Can handle high SPL's, and the casing is a reinforced glass fiber able to take knocks, shocks and suppress impact noise.

Type: Dynamic microphone

Frequency response 40HZ-18KHZ

Pickup pattern:Cardiod

10.00
The Pro 45 has Hi-SPL handling that is perfect for suspension over choirs and orchestras. With a wide-range condenser element and low-mass diaphragm for superior performance. It also has self-contained electronics which eliminate the need for an external power module.

Element: Condenser

Polar Pattern Dynamic Range (Typical) Cardioid
106 dB, 1 kHz at Max. SPL

Maximum Input Sound Level Output Connector
134 dB SPL, 1 kHz at 1% T.H.D.
XLRM-type on cable

10.00

Audio-Technica - Pro 44 - Boundary Microphone
Low profile for minimum visibility
Wide-range condenser element with low-mass diaphragm for superior performance
Self-contained electronics eliminate need for external power modules
Rugged design and construction
25' (7.6 m) detachable cable (TA3F to XLRM-type

Capsule: Condenser

Polar Pattern: Unidirectional

Frequency Response: 70-16,000Hz

Impedance 100 ohms

10.00

Klark Teknik DN 100 DI BOX

Industry standard DI box

10.00

 

Please check here for full equipment hire price list and weekly hire rate on microphones

 

sound-services logo

site map